About

I believe the body is a sacred system, an intelligent house of memory, instinct, and spirit.
It knows how to return to balance. It knows how to heal. It is we who forget.

​

My life has been a long walk of remembering.

From the dunes near the French border, where I spent my childhood running, creating, and sensing the world through movement… to the years studying the precision of the body, to the psychiatric wards, prison corridors, and football fields where I witnessed the many ways human beings break and the many ways they rise again.

​

I have walked with athletes, delinquents, patients, seekers, and rebels. Each one a mirror. Each one a teacher.

​

In 2020, when I first entered transcendent states through sacred medicine, something ancient awakened in me. My body recognized the terrain before my mind did. A doorway opened into breath, shadow, archetype, dream, and myth. Since then, my work has moved toward the thresholds: between body and psyche, between science and spirit, between the seen and the unseen.

​

I studied the molecular and the mystical: orthomolecular medicine, clinical psycho-neuro-immunology, intermittent living… and at the same time, Jungian depth work, holotropic breath, shadow integration, and archetypal navigation.

​

But another dimension arrived, a return to the geometry of life. I began exploring BioGeometry: the harmonizing power of form, the subtle influence of sacred angles, the frequencies that ancient civilizations encoded in temples, amulets, and architecture. Forms that speak to the body in ways the mind cannot translate. Frequencies that stabilize, nourish, and awaken. I learned how shape becomes energy. How symbols become medicine. How lines, openings, and proportions, when arranged with intention, 
can shift a person’s state of being.

​

Everything began converging. I started to see clothing not as fabric, but as geometry, as frequency, as a ceremonial interface between the body and the world. A living landscape where ancient harmonic principles could meet modern movement and therapeutic awareness.

​

This vision grew into the House of JOR-ELL. A living expression of my path, a synthesis of somatics, myth, geometry, and material, a refuge for those who walk awake. Here, clothing becomes ceremony. Here, the body becomes the altar. Here, frequency becomes visible.

​

JOR-ELL is not a brand I decided to create. It is the culmination of every step I’ve taken, a design language shaped by my education, my work, my lineage, and my longing to bridge the human with the sacred.

​

This is my work now: to guide people back into themselves, and to shape garments that carry the vibration of that remembering.

​

One origin.
The same purpose:
to return us to who we are.